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 The Workshops                                                                Updated: October 2, 2009


BCMA's 2009 Provincial Workshop
October 15-17, 2009
Nk'Mip Desert Cultural Centre, Sonora Community Centre
& Osoyoos Museum

Workshops:

REGISTER ONLINE NOW!
OR Download the Registration Form (PDF)

The following list of workshops, currently being finalized, including confirmation
of scheduling with instructors before a final Workshop Program for registration.

Instructors have been added, with profiles & bios now being added to the
"Instructors List" webpage (See link opposite):

Thursday, October 15, 2009
Series A concurrent workshops (AM)


NEW!

A-1: Engaging Aboriginal Communities
(Dr. Andrea Naomi Walsh & Charlotte Stringham)
Museums with First Nations collections are keen to foster relationships with
aboriginal communities who have significant ties to their collections through
collaborative and meaningful research. In part one of this workshop we will
explore how the principles and methods of Community-Based Research (CBR)
and Participant Action Research (PAR) are ways by which museums and First
Nations communities can work together to research collections with the aim of
providing benefits and outcomes to both parties. In part two of the workshop we
explore ways to engage aboriginal communities in the presentation/exhibition of
both collections and cultural knowledge to a non-aboriginal public.


Participants will gain:

- an awareness of current discussions, debates, and best practices around
  conducting research with First Nations communities

- practical knowledge about considerations for conducting ethical research
  and how to create Informed Consent agreements for research projects

- ideas for constructing mutually beneficial research design

- knowledge about how to build research capacity in their institutions

Sponsored by:



A-2: Problems in Collections: Practical Strategies &
    Techniques for Getting Your Collection
    Under Control
(Colin MacGregor Stevens)

Course Objective: To teach the participants how to identify and fix many of the
problems found in museum collections.

Learning Outcomes:

q   Learn to identify their museum’s collection problems

q   Learn how to plan a strategy to deal with each problem

Learn practical techniques for solving and avoiding problems


A-3: Create Your Fundraising Plan:
Tips, Tools & Templates
 
(Andrea Seale)
Learn how to create a realistic and diversified plan to raise money for your
organization. We will explore the pros and cons of common fundraising methods
and how to maximize their success. Our focus will
be on private sector sources
of support: individual donors, members, corporate sponsorship, foundations, special
events and we will look at case studies to inspire you to build your own new revenue
sources. You’ll learn how to make a compelling case to donors and how to steward
donor relationships. Do you feel anxiety about asking for money? You’ll learn how
to conquer this fear!


NEW!
A-4: 
Research 101: The How-To's & Why's
  of Market Research (Visitor Surveys)
 
  (Alison Aspinall)

Thousands of tourists and local residents visit museums, historic attractions and
other cultural events and fairs across Canada every year. They leave these sites
with new experiences, new knowledge and with valuable impressions that can help
organizations and organizers make more informed design, planning and marketing
decisions.

By systematically surveying visitors, event and attraction managers can learn about
who comes to their event or attraction, measure visitor satisfaction, identify what
visitors liked and what they would like improved, adjust marketing and promotional
campaigns to encourage repeat visitation, and produce estimates of the tourism
economic impact of their event or attraction within the local community. 

Are you interested in tapping into wealth of market intelligence leaving your doors?
This hands-on, practical workshop will teach you how to conduct visitor research
at your own museum, attraction or event.  The workshop will focus on all elements
of research design including:
-  Framing your research objective
-  Sampling and scheduling
-  Questionnaire design
-  Interviewer technique and training
-  Data collection and cleaning
-  Analysis and reporting

Sponsored by:









A-5: Tourism Strategies & the Heritage Tourism Alliance
(See Workshop B-4)

SP-1: Outcome-Informed Decision-Making:
   How to Make Sense of Performance Data
 
   (Warren Helfrich)
Good decisions require good information! Most service organizations collect
data about the volume or quantity of the services they provide. The challenge
is to collect information about the outcome or benefit to clients and turn this
data into information that can meaningfully inform management decisions and
future outcomes. This lively workshop will focus on the examination and
practical application of output and outcome data for program improvement and
overall organizational planning, including useful tools that can be applied in
most settings.


Participants will:

Explore techniques for interpreting and comparing data 
• Be able to identify the range of decisions that their current data collection
  can address
• Explore ways to improve current data collection practices
Learn simple ways to present and interpret outcome data for others



SP-2: Developing a Terms of Reference (2-Day Workshop)
    (Brian Laurie-Beaumont, CCI)
Many seem to believe one only does planning when one is expanding. It is,
however, an equally useful exercise when one needs to re-develop to survive.
Re-directing the resources currently at an institution's disposal is often the only
option the Board and staff may control, at least in the short-term, to deal with
immediate challenges. But to obtain the best affect resources still need to be
re-directed within an overall plan.

This workshop is oriented towards heritage facility planning (new or re-developed)
but would be useful for long-term strategic, market development or business 
planning as well as significant capital projects. The objective is to assist non-profit
heritage groups undertaking development studies, whether conducted by them-
selves or by consultants.

Participants should provide their draft terms of reference to the Instructor (by email,
below) to be reviewed in advance and for development within the workshop and
possible one-on-one meetings throughout the Provincial Workshop event.
Email:
Brian.Laurie-Beaumont@pch.gc.ca

For a complete Module Summary, Units & Learning Outcomes, CLICK:
http://www.cci-icc.gc.ca/lo-od/workshops-ateliers/termsref-defmandat-eng.aspx 


Series B concurrent workshops (PM)


REVISED! 
B-1: Interpreting Landscapes
 
(Pat McCormick)
The workshop will be an introduction to the concept of landscape. Specifically,
it will be aimed at giving museum professionals a working knowledge of
landscape theory to enhance the programs they provide to their communities and
the services they provide to local government and businesses. The relationship of
landscape to place-making and social sustainability will be explored and with it, a
discussion of the role that museums play in interpreting landscape and in nurturing
their visitors’ appreciation of, and commitment to the natural and built surroundings.


NEW!
B-2: Basic Exhibit Design
 (Matthias Reinicke)

Exhibit Design 101 - 

In this hands-on workshop you will learn to put together simple, cost-effective
displays for small-scale exhibits. 
Topics covered include: 

- How to create and refine a theme for a display

- Elements of graphic design and their importance

- Typical height, placement, dimension of displays

- Lighting and security

- How to budget a small-scale exhibit

Putting it together:

- Bring pencil and sketch book

- Bring a real or "pretend" project for a display

- Bring an open mind that things are possible even on a "shoe-string"

 

If you have any questions about this course or if you would like additional
topics to be covered please email me at:
info@limedesign.ab.ca

B-3: (Moved to E-3. Replacement Workshop, tba)

NEW!
B-4:  What is a Market-Ready Heritage Tourism Product?

   (Bruce Whyte)
An interactive workshop presented by the Ministry of Tourism, Culture and the Arts
in partnership with the Heritage Tourism Alliance of BC, this session will ask the
question, “What does it take to make a heritage experience into a market-ready
tourism product?”

 

Workshop participants will review existing market-ready criteria for tourism
products provided by Tourism BC, and for First Nations cultural tourism products
as developed by the Aboriginal Tourism Association of BC.  Participants will then
work with the session convenors to determine what the key types of criteria
determining market-readienss for heritage products might be.

 

BC Museums Association registrants will be asked to advise the Ministry on how
BC’s outstanding heritage resources can be made accessible to visitors in ways
which not only provide a comprehensive educational opportunity, but also optimize
economic returns to the host institution and community.  Above all, the Ministry
is seeking delegates’ advice on how tourism opportunities can be maximized
without jeopardizing the heritage resource, and without ‘selling-out’ community
values.

 

Presenters:
Bruce Whyte, cultural tourism advisor, Arts and Culture Branch, BC Ministry
of Tourism, Culture and the Arts
Judith Cook, heritage officer, Heritage Branch, BC Ministry of Tourism, 
Culture and the Arts


B-5:  Introduction to ICA-AtoM (CANCELLED).
    (Evelyn McLellan)
The Archives Association of British Columbia's new
MemoryBC portal utilizes
new software to allow members to upload their archival descriptions for public
access, (See
http://memorybc.ca/). In this hands-on computer lab, you will
learn how to direct-enter your institution's multi-level descriptions into ICA-AtoM
for uploading to MemoryBC.

This workshop is designed for staff of museums with archival materials who wish
to make information about those materials available to the general public.

Participants should have some knowledge of the "Rules for Archival Description"
(See:
http://www.aabc.ca/TK_04_arrangement_description.html for information
and sample descriptions). No special computer skills required, however workshop
participants are asked to supply their own laptops equipped with an ADSL high-
speed cable port (standard).



Friday, October 16, 2009
Series C concurrent workshops (AM)


C-1: Current Trends in Curatorial Practice 
  (William Wood)
The workshop on Current trends in Curatorial Practice will take the form of a
seminar lead by the instructor in response to set readings and featuring visual
complements. The aim of this seminar is to consider aspects of the overall terrain
of contemporary art and to focus specifically on issues surrounding works, artists,
institutions, and curatorial practice with a view to coming to understand the values
and assumptions about art which influence contemporary aesthetics and
contemporary art’s public.

Specific readings focus on two important figures who have provocatively intervened
in analyzing the aesthetics and institutions affecting curatorial practice: artist
Andrea Fraser and philosopher Boris Groys. Video documentation of one of Fraser’s
performances will be screened during the workshop.


* Required Readings:
Andrea Fraser, “How to Provide an Artistic Service”, transcript of a lecture delivered
at The depot, Vienna, Austria, October 1994
http://www.adaweb.com/~dn/a/enfra/afraser1.html

Andrea Fraser, “Official Welcome”, script of performance for the MICA Foundation,
New York City, USA, 2001
www.weskline.org/Classes/AndreaFraser.pdf

Boris Groys, “Politics of Installation” efflux journal 2 (January 2009)
http://www.e-flux.com/journal/view/31


C-2: Kitchen Conservation Techniques
(Tara L. Fraser & Sarah Spafford-Ricci)
Would you like to know a few basic conservation techniques to clean or stabilize
artifacts or archival material in your collection?  If appropriate caution is taken,
there are some conservation procedures that can be done in your own museum.  
In a half-day workshop, a conservator will summarize the materials that artifacts
are made of, causes of deterioration and how to assess an object for whether it
requires conservation action, or is best preserved as it is.  Some basic conservation
procedures will be explained or demonstrated, such as dry surface cleaning of paper
and durable artifacts, encapsulation of paper, relaxing a tightly rolled paper, removal
of loosely bound corrosion from metals and couching to stabilize a tear in a textile. 
A supplier and resource list will be supplied.


C-3:  Basic Requirements for Archives in Small Museums
What Do I Do With All This Paper? 
  (Linda Wills)
Instruction will include the basic requirements for maintaining a small
archive within a museum setting.  Attendees will learn straightforward
archival theory that will allow them to make common sense decisions
on how to handle archival material. Discussions will include how to
recognize archival material (not all paper items are archival!), the use
of databases for description and retrieval, copyright issues, and some
helpful hints about conservation.  Attendees will leave with a reference
booklet that includes and detailed outline of the correct disposition of
the different types of documents that arrive on their doorstep.

C-4: (New Workshop being added, tba)

SP-3: Principles & Practices of Effective Non-Profit 
    Leadership 
(Colleen Kelly)
Are you an Executive Director navigating the complexities of your relationships
with Board, staff and the community with little formal training?
An approach to
engaging and motivating all the people available to the organization to serve a
mission-driven and community-based organization.

This full-day training program will provide you with the skills and tools to tap into
your leadership potential and thrive in your role. Topics will include: principles of
effective not-for-profit leadership; adopting a strategic leadership model; working
with and engaging your board more effectively; and leveraging all of your human
resources (both paid and unpaid).

Participants will gain:

  A network of support of Executive Directors
   
A concrete model of organizational leadership
 
An understanding of the Governance as Leadership framework for enhancing
   board member engagement, and the opportunity to practice the approach in a
   case study format.


SP-4: Introduction to Social Web Technologies
   for Small Museums
 
  
(Heather Dunn & Caroline Posynick)
You don't need money or computer skills to do amazing things for your museum
on the web!  We will explore some of the ways museums are using free web
services such as Facebook, Blogger, Wikipedia and Twitter to enhance their
networking, marketing, communications and visitor experience.

We will start with a basic introduction to social web technologies (sometimes
referred to as "Web 2.0" - see http://en.wikipedia.org/wiki/Web_2.0
and real-life
examples of their application in museums. Then we will proceed with a hands-on
portion, where participants will:
create a blog for their museum;
try 'microblogging' using Twitter;
create a simple web site that can be easily changed and updated;
create a Facebook presence for their museum and sign up some fans!


All online projects (blogs, sites, etc.) created during this workshop can be continued
after participants return to their institutions.

Learn how your museum can adapt to a rapidly changing internet environment and
use interactive web technology to improve communication with existing and new
audiences. If you can email, you can do this!

Series D concurrent workshops (PM)

D-1: Environmental Guidelines & Recommendations
for Museums (light, relative humidity, temperature
& pollutants)
(Charlie Costain, Canadian Conservation Institute)
This is an introduction to the strategic preservation of the collection against agents
of deterioration, especially those environmental ones, such as light, relative humidity
and atmospheric pollutants.

For a complete Module Summary, Units & Learning Outcomes, 
CLICK:
http://www.cci-icc.gc.ca/lo-od/workshops-ateliers/eagents-eng.aspx

D-2:  Rural Tourism (New instructor tbc)

D-3:  Old Boards--New Models of Governance
  (John Finlay, CAE)
According to a recent BC-wide survey of not-for-profit organizations (NPOs), 50%
reported that they followed the Complementary Model of Governance and 35%
reported they followed the Policy Governance (Carver) Model. This seminar
describes, in detail, these alternative governance models as well as the Traditional
Model, upon which both of the newer models are based. It draws on the writings of
both John Carver and Peter Drucker. Carver says that most of what a majority of
boards do either does not need to be done, or is a waste of time when done by the
board. Drucker writes that the roles of the Board and the Executive Director should
be complementary to one another. Both models are built on an NPO governance
model that has been in existence for over seventy-five years - the Traditional
Governance Model. All three models are explained in depth.

At the conclusion of the session, participants will understand: 
-
The fundamental principles underlying each of the models
- The operating features of the models
-
The four different policy areas in the Policy Governance Model
- Policy development using the Policy Governance Model and the
  Complementary Governance Model
-
The different performance monitoring options in the PGM and the CGM

You will take away a valuable workbook, including sample documents for
committee terms of reference, a comprehensive comparison chart of the three
models, and a checklist for successfully implementing either the Policy
Governance or Complementary Governance Model.

D-4:  How the HST will Impact Museums & Galleries 
   
(Instructor, tba)

Saturday, October 17, 2009
Series E concurrent workshops (10:30am)


E-1:  Wearing All the Hats
  (John Finlay, CAE)

You are the chief staff person in your small association office with limited staff
resources and you wear many hats. You are responsible for government relations,
communications, public relations and press releases, special events, including
the AGM, fund raising, accounting, office technology, including software selection,
database management, email and the website. In other words, you are it!

You wear all or most of the staff hats.
If this describes your museum’s
administrative structure, then this seminar is designed for you.


After this, seminar participants will know how to:
·   Identify the major differences between NPO’s and the governance alternatives
·   Utilize their most valuable resource – volunteers
·   Develop and structure effective and productive committees
·   Assist their Board in planning, budgeting, and monitoring its financial and
   program performance
·   Understand common terminology in NPO’s and what they really need to 
  
know about processes in running a meeting

You will take away a valuable workbook, including sample documents for
Volunteer Codes of Conduct, Volunteer Conflict of Interest Guidelines, and
Board and Director Evaluations.


E-2:  Executive Directors: Leading the Board from Behind
  (Colleen Kelly)
Do you want to better engage your Board in leading your organization? 
Do you ever wonder why your Board of Directors rubber stamps decisions
and remain silent until next month’s meeting? Do you sometimes think
your Board micro-manages? Working with a Board of Directors can be one of
the most fulfilling–and frustrating–
aspects of an Executive Director’s job.

Participants will gain:
  An understanding of the Executive Director’s role in both supporting 
   and leading the Board from behind
  7-step approach to better engage your board in achieving your
   organization’s mission
  An opportunity to develop strategies to clarify your role and your
   Board’s role
·   Organize a planning session for the Board of Directors and the importance 
   of strategic planning



E-3:  Raising Funds for Capital Improvements
  for Museums and Libraries 
  (Frank Belden)
This three-hour workshop outlines the requirements for museums and
libraries to carry out a successful capital fundraising campaign.
Attendees will learn the step-by-step procedures to prepare the organization,
develop a case statement for support, carry out a feasibility study and
organize the infrastructure of a successful campaign.

Sponsored by:











Workshop Blogs:

Do you have ideas or particular priorities for your professional or skills development?
Are there new practices under any of these Workshop Topics (listed above) you
want to ensure is included? Do you have recommendations for instructor personnel?
Do you want to participate in the development of workshop content?

To help ensure the responsiveness of this year's workshops to members' and stake-
holders' needs, the BCMA has ventured into the social networking world and
introduced a series of Workshop Blogs.

To participate, click on the links provided (by workshop topic) below and post your
queries or suggestions:
(Art galleries): http://bcma-galleries-workshop.blogspot.com/
(Economic sustainability):  http://bcma-economicsustainability.blogspot.com/
(Small Museum Summit): http://bmca-governance-workshop.blogspot.com/
(Social Networking): http://bcma-socialweb-workshop.blogspot.com/

Workshop Format:
 
Unlike traditional Conference sessions, workshops will vary between half-day and
full-day, offering greater in-depth exploration of each topic and will produce a Best
Practices Toolkit for workshop registrants.

Workshops will begin Thursday morning, October 15 in five concurrent streams,
scheduled at either the Sonora Community Centre or at Nk'Mip Desert Cultural
Centre, plus the specialized 2-day Canadian Conservation Institution (CCI), which 
 

 

will be based at Osoyoos Museum. Registrant accommodation is conveniently
situated between the three venues.

Because of the greater, in-depth nature of the half and full-day workshops, the Host
Committee is currently arranging local and regional half-day tours to institutions in
the South Okanagan that registrants can take advantage of between workshops on
successive days.

REGISTER ONLINE NOW!
OR Download the Registration Form (PDF)


Watch HERE for Workshop Program updates... 


  

 

 

 
 
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• Phone: 250-356-5700 • Fax: 250-387-1251
•Email: bcma@museumsassn.bc.ca